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In This Issue
Michael
Pressler
Lee Zacharias
Floyd Collins
Christopher Brookhouse
Robert Hildt
T. M. McNally
Jesse Upton
Harriet J. Melrose
Bruce
Beasley
Alexandria Peary
Dorothea
Tanning
Carol Ann Davis
Paula
Closson Buck
Michael
Waters
Dick Allen
Maureen Clark
Christopher Matthews
Christopher Howell
Edward Nobles
William Logan
John Diamond-Nigh
Susan Ludvigson
Timothy Liu
Szabolcs Várady
Jon Imber
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The Autumn 2002 issue showcases paintings by Jon Imber, essays by
Michael
Pressler and Lee Zacharias, stories by Christopher Brookhouse and
Robert Hildt, and poems by Bruce
Beasley, Paula
Closson Buck, and Susan Ludvigson, as well as outstanding work by
many others.
To order a copy of the Autumn 2002 issue today, go to the Featured
Back Issue page, fill out the form, and in the Notes box, specify
that you wish to receive issue 15.3.
Contents
Volume 15, Number 3 / Autumn 2002
ESSAYS AND ESSAY-REVIEWS
Peter Stitt, “The
Kingdom of Maroni, Part IV,” Editor’s Pages, 357
Michael Pressler,
“The
Making of Above and Beyond,” 391
Lee Zacharias,
“The Village Idiot,” 421
Floyd Collins,
“Engagements with History,” (review of Changeable Thunder,
by David
Baker; and The Mercy Seat: Collected & New Poems, 1967-2001,
by
Norman
Dubie), 497
FICTION
Christopher Brookhouse,
“Naked,” 371
Robert Hildt,
“Orbit,” 441
T. M. McNally,
“Given,” 453
Jesse Upton, “China
Flats,” 477
POETRY
Harriet J. Melrose,
“Twin Bridges” and “Salute to Spring,” 385
Bruce Beasley,
“And
Go into the Street Which Is Called Straight,” 388
Alexandria Peary,
“The Architecture of a Love Poem,” “Push-Button
Landscape,” and “Handwriting in the Sky,” 413
Dorothea Tanning,
“Heaven on Earth” and “Rain
of Blood,
Aix-en-Provence,”
416
Carol Ann Davis,
“In the Room,” 420
Paula Closson
Buck, “Theory
of an Impersonal God” and “If Silence Is Any Indication,”
430
Michael Waters,
“Commerce,”
446
Dick Allen, “‘An
Entire Summer Filled with Inexplicably Skies’” and
“Dada,”448
Maureen Clark,
“Premature Autopsy,” 452
Christopher Matthews,
“Detours,” 471
Christopher Howell,
“To Birdy, for the Unknown Man” and “You Can Do Anything
with a Swan,” 474
Edward Nobles,
“The Secret Life,” 476
William Logan,
“In the Swamp” and “Childhood,” 492
John Diamond-Nigh,
“The Plastic Chandelier,” “Venice,” and “Bronzino’s
Allegory,
c. 1546,” 494
Susan Ludvigson,
“Bin Laden in South Carolina” and “The Family of Man,”
514
Timothy Liu, “Bisexuality,”
519
Szabolcs Várady
(translated by Daniel Hoffman and Miklós Vajda), “In
Memory of Gyorgy Petri,” “In a Nutshell,” and “The
Proceeds of Our
Years,” 520
GRAPHICS
Jon Imber, Paintings,
433
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