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In This Issue
Frances Mayes
Leonard Kriegel
Sanford Pinsker
David J. Rothman
Shawn Shih-Hung Shieh
David Hamilton
James Kilgo
Daniel Hoffman
Bernard Cooper
John Haines
Bruce Fleming
Ellen Darion
Ann Packer
F. D. Reeve
Donald Hall
Alice Fulton
Christopher Howell
David Lehman
Charles Wright
Mark Halliday
Jean Janzen
Sidney Wade
Thomas Lux
Sherod Santos
A. R. Ammons
T. R. Hummer
Patricia Zontelli
Patricia Goedicke
Debora Greger
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The Spring 1989 issue showcases collages by Debora Greger, essays
by Sanford Pinsker, Frances Mayes, and Daniel Hoffman, stories by Bruce
Fleming and Ann Packer, and poems by Donald Hall, Charles Wright, Thomas
Lux, A. R. Ammons, Sherod Santos, as well as work by many others.
To order a copy of the Spring 1989 issue today, go to the Featured
Back Issue page, fill out the form, and in the Notes box, specify
that you wish to receive issue 2.2.
Contents
Volume 2, Number 2 / Spring 1989
ESSAYS AND ESSAY-REVIEWS
Peter Stitt, Editor’s
Notes, 190
Frances Mayes,
“Namesake,” 199
Leonard Kriegel,
“Partisan Review and the New York Intellectuals:
A
Personal View,” 227
Sanford Pinsker,
“T. S. Eliot as Culture Hero” (review of Eliot’s New
Life,
by
Lyndall Gordon and The Letters of T. S. Eliot: Volume I, ed.
by Valerie
Eliot),
242
David J. Rothman
and Shawn Shih-Hung Shieh, “Reading China Now,” 253
David Hamilton,
“Donald Hall’s One Day” (review of The One
Day,
by
Donald Hall), 268
James Kilgo, “Indian
Givers,” 317
Daniel Hoffman,
“Faulkner: How to Tell a Story,” 331
Bernard Cooper,
“Fever,” 343
John Haines, “Thoughts
on Robinson Jeffers,” 356
FICTION
Bruce Fleming,
“The Autobiography of Gertrude Stein,” 213
Ellen Darion,
“Anniversary,” 289
Ann Packer, “Maid
of Honor,” 301
F. D. Reeve, “The
Earrings,” 349
POETRY
Donald Hall, “Praise
for Death,” 191
Alice Fulton,
“Disorder Is a Measure of Warmth,” 211
Christopher Howell,
“Contemporary Theory,” 226
David Lehman,
“Pascal’s Wager,” 238
Charles Wright,
“Lines After Reading T. S. Eliot” and “Sitting Outside
at
the
End of Autumn,” 250
Mark Halliday,
“The Truth,” 266
Jean Janzen, “Plain
Wedding” and “After the Pruning,” 279
Sidney Wade, “Raveliana
in Brown,” 300
Thomas Lux, “At
Least Let Me Explain” and “All That’s Left,” 314
Sherod Santos,
“The Limestone Cave” and “Cheeveresque,” 326
A. R. Ammons,
“Enfield Falls,” 330
T. R. Hummer,
“Austerity in Vermont,” 341
Patricia Zontelli,
“Black Car,” 347
Patricia Goedicke,
“The Wind that Swept Up Great Homer,” 354
GRAPHICS
Debora Greger,
Collages, 281
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