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In This Issue
Floyd Collins
Benjamin Griffith
William J. Schafer
Gerald Weales
John C. Hampsey
Sanford Pinsker
Sara Corbett
Lee K. Abbott
Clint McCown
Donald Hall
Louis Simpson
Charles Simic
Dabney Stuart
Stanley Plumly
Marvin Bell
Stephen Dobyns
Kelly Cherry
J. Patrick Lewis
Marianne Boruch
Beckian Fritz Goldberg
Paul Zimmer
B. A. St. Andrews
Howard Finster
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The Spring 1990 issue showcases paintings by Howard Finster, essays
by Benjamin Griffith and Sanford Pinsker, fiction by Lee K. Abbott,
Clint McCown, and Louis Simpson, and poems by Charles Simic, Dabney
Stuart, Stanley Plumly, Beckian Fritz Goldberg, Paul Zimmer, and a host
of estimable others.
To order a copy of the Spring 1990 issue today, go to the Featured
Back Issue page, fill out the form, and in the Notes box, specify
that you wish to receive issue 3.2.
Contents
Volume 3, Number 2 / Spring 1990
ESSAYS AND ESSAY-REVIEWS
Peter Stitt, Editor’s
Notes, 263
Floyd Collins,
“History and Myth in Contemporary Poetry” (review of
Groom
Falconer, by Norman Dubie; Annonciade, by Elizabeth Spires;
Baptism
of Desire, by Louise Erdrich; God Hunger, by Michael Ryan;
and
Boy on the Step, by Stanley Plumly), 285
Benjamin Griffith,
“Howard Finster, Visionary Painter: God’s Second
Noah
and Last Red Light,” 305
William J. Schafer,
“Air Trails,” 348
Gerald Weales,
“Can’t Get Indiana Off My Mind,” 376
John C. Hampsey,
“ ‘So the Cap Fits!’: Strange Truths in Kafka’s
America,”
400
Sanford Pinsker,
“Revisionist Thought, Academic Power, and the Aging
American
Intellectual,” 417
FICTION
Sara Corbett,
“Atlas,” 269
Lee K. Abbott,
“Freedom A Theory of,” 333
Clint McCown,
“Surface Tension,” 361
Donald Hall, “Fifty
People Talking,” 388
Louis Simpson,
“Humane Letters,” 408
POETRY
Charles Simic,
“The Infinte,” “Some Nights,” “Place at the
Outskirts,”
and
“The Old World,” 265
Dabney Stuart,
“Fish Magic” and “The Executive Discovers Poetry,”
282
Stanley Plumly,
“White Bible,” 303
Marvin Bell, “O’Keeffe
Left to Herself,” 329
Stephen Dobyns,
“Cézanne’s A Modern Olympia—1872”
and “Cézanne
and
the Love of Color,” 346
Kelly Cherry,
“Green That Inspires Longings for Joy” and “On Looking
at
a Yellow Wagon,” 359
J. Patrick
Lewis, “A Sunday to Her Liking,” 375
Marianne Boruch,
“The Surveying Class,” 387
Beckian Fritz
Goldberg, “Glory” and “Move Me,” 396
Paul Zimmer, “Zimmer’s
Existential Year,” 407
B. A. St. Andrews,
“A Meditation of Vermeer,” 415
GRAPHICS
Howard Finster,
Paintings, 427
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