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In This Issue
Michael Gorra
Dan Pope
Floyd Collins
Charles Baxter
Philip Stevik
Donald J. Greiner
Tony Ardizzone
Cindy Bonner
Daniel Meltzer
Brittany Newmark-Shpancer
Beth Nugent
Jeanne Beaumont
Edward Kleinschmidt
Mary Stewart Hammond
James Hejna
Dabney Stuart
Ralph Burns
Denise Thomas
Dean Young
Elizabeth Kirschner
Betty Tompkins
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The Autumn 1990 issue showcases paintings by Betty Tompkins, essays
by Dan Pope and Charles Baxter, fiction by Tony Ardizzone and Beth Nugent,
and poems by Edward Kleinschmidt, Dabney Stuart, Ralph Burns, as well
as outstanding work by several others.
To order a copy of the Autumn 1990 issue today, go to the Featured
Back Issue page, fill out the form, and in the Notes box, specify
that you wish to receive issue 3.4.
Contents
Volume 3, Number 4 / Autumn 1990
ESSAYS AND ESSAY-REVIEWS
Peter Stitt, Editor’s
Notes, 614
Michael Gorra,
“The World of A Clockwork Orange,” 630
Dan Pope, “A
Different Kind of Post-Modernism” (review of The Coming of Triumph,
by Rick DeMarinis; If the River Was Whiskey, by T. Coraghessan
Boyle;
and The Universe & Other Fictions, by Paul West), 658
Floyd Collins,
“The Image in Recent American Poetry” (review of Chimera,
by
Carol Frost; Waving from Shore, by Lisel Mueller; Blues If
You Want, by
William
Matthews; Honest Water, by Robert Farnsworth; and Great Blue:
New
and Selected Poems, by Brendan Galvin), 686
Charles Baxter,
“The Donald Barthelme Blues,” 713
Philip Stevik,
“Ridiculous Words,” 738
Donald J. Greiner,
“The Absent Friends of Frederick Busch” (review of
Harry
and Catherine, by Frederick Busch; and War Babies, by Frederick
Busch),
746
FICTION
Tony Ardizzone,
“Postcard from Ouarzazate,” 615
Cindy Bonner,
“Starving Artist,” 650
Daniel Meltzer,
“People,” 674
Brittany Newmark-Shpancer,
“The Lost Train,” 728
Beth Nugent, “Evening
Sun,” 755
POETRY
Jeanne Beaumont,
“Honeymoon Cottage” and “Still,” 628
Edward Kleinschmidt,
“Page,” “Practice,” and “Hence,” 644
Mary Stewart Hammond,
“Suffrage,” 657
James Hejna, “Recursion,”
670
Dabney Stuart,
“Staying in Touch” and “How Loss Works,” 682
Ralph Burns, “Son,”
“When I Hold You Tightly,” and “Memory,” 724
Denise Thomas,
“Driving Ohio” and “One Sunday We Evaluate Our
Marriage,”
736
Dean Young, “The
Fine Arts,” 744
Elizabeth Kirschner,
“Grandmothers’s Arms,” 776
GRAPHICS
Betty Tompkins,
Paintings, 705
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