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In This Issue
Peter Stitt
Don Colburn
Floyd Collins
Louis Simpson
W. S. Di Piero
Steven G. Kellman
Patricia Margerison
Gerald Shapiro
Frederick Busch
Jill McCorkle
Stanley Kunitz
Gerald Stern
R. T. Smith
Frederick J. Marchant
Christopher Howell
Sharon Bryan
William Olsen
Charles Tomlinson
Vuyelwa Carlin
Louis Jenkins
Jeanne Beaumont
Randall Deihl
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The Spring 1992 issue showcases paintings by Randall Deihl, an interview
with Stanley Kunitz, essays by Louis Simpson and W. S. Di Piero, fiction
by Gerald Shapiro and Jill McCorkle, and poems by Gerald Stern, Christopher
Howell, and R. T. Smith, as well as outstanding work by several others.
To order a copy of the Spring 1992 issue today, go to the Featured
Back Issue page, fill out the form, and in the Notes box, specify
that you wish to receive issue 5.2.
Contents
Volume 5, Number 2 / Spring 1992
ESSAYS AND ESSAY-REVIEWS
Peter Stitt, Editor’s
Notes, 191
Peter Stitt, “An
Interview with Stanley Kunitz,” 193
Don Colburn, “A
Feeling fro Light and Shade: John Keats and His ‘Ode to
a
Nightingale,’” 216
Floyd Collins,
“Elegiac Voices” (review of Rescue the Perishing,
by Gibbons
Ruark; Star
Ledger, by Lynda Hull; and Apocrypha, by Eric Pankey), 240
Louis Simpson,
“Moody Colonials,” 253
W. S. Di Piero,
“Seeker and Finder: Minor White and Lee Friedlander,” 331
Steven G. Kellman,
“Novelists Trade Secrets” (review of Time’s Arrow,
Or the Nature
of the Offense, by Martin Amis; Wilderness, by Dennis Danvers;
The
Sweet
Hereafter, by Russell Banks; and Almanac of the Dead, by
Leslie
Marmon
Silko), 345
FICTION
Patricia Margerison,
“Pictures in Black and White,” 273
Gerald Shapiro,
“The Marine Mammal Guy,” 286
Frederick Busch, “Bread,”
303
Jill McCorkle,
“Sleeping Beauty, Revisited,” 319
POETRY
Stanley Kunitz,
“Chariot,” 210
Gerald Stern,
“Two Daws,” 211
R. T. Smith, “Conviction”
and “Angels,” 214
Frederick Marchant,
“Bristlecone,” 239
Christopher Howell,
“The Pipes of Oblivion” and “Event,” 251
Sharon Bryan,
“Ultrasound” and “What Biology Is All About,” 283
William Olsen,
“After Chartres,” 300
Charles Tomlinson,
“The House on the Susquehanna,” 318
Vuyelwa Carlin,
“Ash” and “The Blindness,” 329
Louis Jenkins, “Spring
Break-Up,” 344
Jeanne Beaumont,
“Mr. Ripley Writes a Preface” and “Mrs. Ripley Gets It
Off
Her Chest,” 355
GRAPHICS
Randall Deihl,
Paintings, 265
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